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20 brand positioning examples and why they work so well

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One of my brand positioning examples: Tylko's custom modular shelving in modern loft apartment—personalisation strategy from article featuring 20 positioning examples
By Nine Blaess
18:58 min read
March 13, 2026
In this article
Over 200 bird species peacefully coexist here in New Zealand. Each has found its place in the ecosystem—from food choice to habitat. Successful brands understand that they, too, need to carve out a unique place in the marketplace to survive. And that’s what brand positioning is all about.

To show you what strong positioning looks like in practice, I’ve gathered 20 examples from both small businesses and global names. Each one shows a different way to stand out. But you’ll notice that some would have fit multiple positioning strategy examples.

If you want to understand the thinking behind these moves, I’ve answered the most common questions about brand positioning at the end.

In this article:

  • 20 brand positioning examples across over 10 categories
  • What each brand did differently and why it worked
  • A quick comparison table of positioning types
  • Answers to the most common questions about brand positioning strategy

Brand positioning examples across 13 strategies

Brand Positioning Strategy Key Differentiator Why It Works
Oatly Personality & Values Chaotic irreverence People buy the version of themselves the brand reflects
Liquid Death Personality Heavy metal aesthetic Solves the social problem of blending in without drinking boring water
Einhorn Personality & Values Playful sustainability Makes an awkward category fun to talk about
IKEA Unmet Need Democratic design Created affordable design when there was none
Graza Unmet Need Functional packaging Squeeze bottle signals “use me daily” not “save me”
Heaps Normal Unmet Need Non-apologetic tone Positions choice over sacrifice
Dollar Shave Club Price Truth-telling value Called out the razor industry’s markup
Tony’s Chocolonely Values Radical transparency Made the problem of the category visible
Who Gives A Crap Values Humour + purpose Personality makes boring products shareable
Veja Values Zero advertising Actions speak louder than marketing claims
Scrub Daddy Product Innovation Smiley face sponge Makes chores fun and stands out on shelf
YT Industries Distribution Digital-first DTC Premium web experience replaces retail markup
REI Co-operative Model Member ownership Community over transactions
Muji Simplicity No-brand philosophy Anti-branding as a statement
Pic’s Peanut Butter Founder-led Garage to famous product Founder’s refusal became the brand
Duolingo Anti-category Gamified UX Habit beats skill in language learning
Guinness Weakness-to-strength 119.5 second pour Waiting became proof of quality
Avis Weakness-to-strength “We're #2, we try harder” Honesty when everyone else overclaims
Figma Experience Multiplayer design Changed how designers work together
Tylko Personalisation Made-to-measure Removes the fear of “will it fit my space?”

1. Personality-led positioning examples

What everyone else was doing

Plant-based milk brands like Alpro mostly used leaf and nature imagery, simple fonts, and down-to-earth environmental messaging. This made the category seem gentle and wholesome, but also a bit samey.

What Oatly did instead

Oatly decided to do their own thing. Their most famous ads weren’t even ads. Instead, they were printed straight on the carton, in a chaotic layout with unfiltered copy about being a weird oat-drink company.

When the Swedish dairy industry sued Oatly over its slogan, “It’s like milk, but made for humans”, Oatly just published the court ruling in full as an ad campaign. And when they got to the Super Bowl in 2021, they used it to show their CEO singing “Wow, no cow” on his own in a field.

Why it works

Oatly’s irreverent tone is at the heart of their brand. While others try to look serious, Oatly leans into being weird, and that’s what gets them noticed. And when they turn a legal hurdle into a marketing win, it shows they really believe in what they’re doing.

What everyone else was doing

Water brands often promote a sense of calm and well-being. Their branding is often hard to tell apart, with imagery ranging from pale blues to clean whites, complete with Alpine springs. Whatever the brand—Evian, Volvic or Fiji—they all basically claim that their water is pure and refreshing.

What Liquid Death did instead

Liquid Death saw people who wanted to fit in at bars, festivals and parties without drinking alcohol, but didn’t want to look like they were drinking wellness water.

So, they made water look like beer in tall black cans with skulls and the tagline “Murder Your Thirst”. It’s the same product, but it creates a different world. People won’t stand out for not drinking, and the can will definitely catch people’s attention on the shelf.

Why it works

Liquid Death solved a social problem. Their can looks like everyone else’s drink. And the heavy metal feel makes choosing water feel almost rebellious instead of boring.

The logic behind it

Both brands leverage self-congruence. People don’t just buy the product; they buy the version of themselves the brand reflects—in this case, someone tired of corporate polish who values authenticity over perfection.

What everyone else was doing

The condom and period product category in Germany was split between clinical and medical on one side, and aggressively macho on the other.

What Einhorn did instead

The Berlin-based brand made a category that had none—fun. They went for bright colours, unicorns, fun packaging and a commitment to sustainability, including vegan, fair trade and plastic-free options.

Einhorn homepage featuring colorful period product packaging, with red and yellow colors.
Einhorn turned boring condoms and tampons into colorful, sustainable products people want to talk about. (einhorn.my)

Why it works

Einhorn used the cringe factor in this category as an opportunity to stand out. They put a smile on people’s faces and made them want to buy their products. This earned them a loyal customer base, which is pretty rare in a market where most people just buy whatever is available.

2. Unmet need positioning

IKEA

What everyone else was doing

Back in the 1940s, furniture was either too expensive for most families or just plain ugly. People assumed that good design had to be expensive and that someone else would assemble it for you.

What IKEA did instead

IKEA’s founder, Ingvar Kamprad, realised that young people setting up their first homes wanted affordable, well-designed furniture and were willing to do the work themselves if the price was right. He invented the flat-pack, which drastically reduced production, transport and retail prices.

Black-and-white photograph of an IKEA store on Kungsgatan in Sweden from the 1950s. It shows people queuing up, potentially for an opening.
IKEA, 1950s. Good design didn’t have to cost a fortune if you were willing to build it yourself. (Wikimedia Commons, Public Domain)

Why it works

IKEA spotted an opportunity and went for it, creating a whole new category. They took what started out as a compromise—assembling your own furniture—and turned it into a core part of their identity.

What everyone else was doing

Olive oil came in two forms: either generic supermarket brands that nobody thought about, or precious artisan bottles nobody wanted to use. The premium olive oil sector had positioned its products so exclusively that people saved them for special occasions.

What Graza did instead

Graza just used a squeeze bottle. That’s all there is to it. But it sends the message that olive oil is for everyday cooking, not for sitting on the shelf.

Three Graza olive oil squeeze bottles with innovative packaging designs as shown on the website.
Graza's squeeze bottles repositioned premium olive oil from display to daily use. (graza.co)

Why it works

The squeeze bottle makes it clear that this olive oil is meant to be used, not just looked at. This small change to the packaging has totally changed how people see the product. And the bottle really stands out next to all the glass bottles.

The logic behind it

Graza uses Category Innovation. By moving olive oil from a glass bottle to a squeeze bottle, they shifted the product’s psychological framing from a “precious ingredient” to a “functional kitchen tool”.

What everyone else was doing

Non-alcoholic beer was marketed as a sacrifice, as something for pregnant women or drivers. The category pretty much apologised for itself, relying on wellness messaging to justify its existence.

What Heaps Normal did instead

The Australian brand shook things up. They created non-alcoholic beer for people who enjoy beer but choose not to drink sometimes.

While Liquid Death made water look like beer to help non-drinkers blend in, Heaps Normal did the opposite, positioning their beer against water.

They parodied 1980s anti-drug ads with their “Just Say No To Water” campaign, which basically said that when you’re not drinking, don’t settle for boring drinks.

Why it works

That reframe—from healthy-alternative to better-than-water—opened up a much larger audience than wellness messaging ever could. While Liquid Death disguised water as beer, Heaps Normal proudly markets non-alcoholic beer.

3. Price-led positioning

What everyone else was doing

Gillette had spent years building a whole mythology around shaving technology, with premium blades and vibrating handles. The category was built on pseudo-scientific marketing and the assumption that innovation justified a $25 refill pack.

What Dollar Shave Club did instead

Dollar Shave Club called out the industry. They offered a $1-a-month subscription and made a launch video that cost next to nothing but received 12 million views in its first month. Essentially, they said: “You’ve been paying for marketing, not razors.”

Why it works

It’s true that Dollar Shave Club offered cheaper razors, but they also made people feel clever for switching to them. Their honesty really paid off. Just three years after launching, Unilever bought the brand for $1 billion.

4. Values-led positioning

What everyone else was doing

Everyone knew the chocolate industry used child labour and slavery in West African cocoa supply chains, but no one did anything about it. Cadbury, Nestlé and Mars all had bright packaging and feel-good advertising, but kept their supply chain info deliberately vague.

What Tony’s Chocolonely did instead

Tony’s made the problem their whole brand. A journalist from the Netherlands set up the company after he couldn’t prosecute the chocolate industry for slavery. The unequal bar segments represent supply chain inequality. The bold packaging talks openly about slave-free chocolate.

One of their adverts shows Tony literally fighting inequality—“There’s fight in every bite”.

Why it works

It takes guts to speak up when everyone else stays quiet, and that’s exactly what Tony’s Chocolonely did. People feel good about eating this chocolate, and it tastes great, too. And that’s important, because values only work if the product delivers.

What everyone else was doing

Toilet paper was a pretty boring category, with all the focus on how soft it was, and the usual cute puppy ads.

What Who Gives A Crap did instead

They took the most boring category imaginable and turned it into something people could talk about. By using bamboo and recycled paper and donating 50% of profits to sanitation charities, as well as having a funny brand voice, they really got people interested.

Who Gives A Crap Instagram post featuring illustrated "Where's Waldo" style puzzle with purple mountains, Chinese pagodas, and text "Zoom to find the loo!" - playful branded content encouraging follower engagement
Who Gives A Crap uses humor and playful design to build community around a product most brands take too seriously. (Instagram)

Why it works

Who Gives A Crap combined three ideas: a funny personality, a worthwhile mission and a subscription model. In a market with no personality or purpose, this combination inspired people to take pictures of their bathroom shelves and share them online.

The logic behind it

This is Altruistic Positioning combined with a strong visual disruption. They turned a boring, hidden-away commodity into a bold statement piece, allowing customers to feel like change-makers through a routine household purchase.

What everyone else was doing

Sneaker brands that care about ethics were showing how eco-friendly they were with all sorts of certifications, carbon calculators and sustainability reports. The more virtuous they claimed to be, the more budget went into proving it.

What Veja did instead

They literally spent nothing on advertising. There weren’t any billboards or influencer campaigns. Instead, every euro that would have been spent on marketing went towards supply chain transparency and fair sourcing.

Why it works

Veja’s no-advertising policy is a bit of a slap in the face for other brands in the category. When other brands spend millions on greenwashing, Veja puts that money into fair wages and organic materials, showing the difference.

When Emma Watson wore their trainers because she genuinely liked them—and not because of the sponsorship—it proved the approach works.

5. Product innovation positioning

What everyone else was doing

Cleaning sponges were functional commodities. They all used the same boring rectangular shapes and colours. Brands were competing on how well they could absorb or last, but nobody ever thought twice about the shape.

What Scrub Daddy did instead

They simply created a sponge with a smiley face that’s also functional. It changes texture based on water temperature—firm in cold water for scrubbing and soft in warm water for gentle cleaning—and the eyes and mouth are helpful for hard-to-reach spots.

Back in 2012, founder Aaron Krause pitched it on Shark Tank and ended up making the show’s most successful product ever, with over $670 million in sales.

Scrub Daddy homepage featuring different smiley face sponges on a yellow background with a “Smile While You Scrub” headline.
Scrub Daddy made people care about sponges. The smiley face makes washing up enjoyable—and is useful. (scrubdaddy.com)

Why it works

The smiley face makes washing up more fun, and it’s useful too. That blend of fun and practicality is what makes the brand stand out. It also gets kids to actually want to help with the dishes, which makes it attractive to parents.

The logic behind it

This brand uses Anthropomorphism to create an emotional connection with a tool. By giving a sponge a face and a personality, they transformed a mundane chore into an enjoyable experience, justifying a higher price point through perceived value.

6. Distribution-led positioning

What everyone else was doing

The premium mountain bike market relied on traditional specialist retailers. Brands such as Trek, Specialized and Santa Cruz sold their products through dealer networks, offering high margins. There was an assumption that bikes this expensive needed to be seen and tested in person.

What YT Industries did instead

YT was one of the first to adopt the direct-to-consumer model. By cutting out the middleman, they could offer the same bike with better specs at a lower price. Bikes are shipped straight from their German warehouse to your doorstep.

YT Industries uses a direct-to-consumer model and a seamless website experience to stand out in the competitive mountain bike market.

Why it works

YT proved that premium bike customers do their research and don’t need dealers to help them make their decision. YT still lets customers try bikes through test events and a demo track at their Germany headquarters, and has also invested in a premium website and user experience.

I’ve been through the YT customer journey myself. Their positioning relies entirely on a premium digital experience replacing the traditional physical dealership. The brand system has to do all the heavy lifting.

The logic behind it

This direct-to-consumer model only works if the digital experience feels as premium as the product. For brands like YT, the website has to replace the entire dealership experience.

7. Community-led positioning

REI

What everyone else was doing

Outdoor retail was competitive, margin-driven and pretty much all identical. They were all fighting for the same customer, offering the same gear and brands.

What REI did instead

REI still sells the same brands and gear, but they set themselves up as a consumer co-op. Members pay a one-time $30 fee and get annual dividends, as well as a say in how the company is run. On Black Friday, REI closes all its stores and pays employees to go outside instead.

REI #REImember social media campaign showing grid of 15 user-generated outdoor adventure photos with hikers, mountain lakes, and wilderness scenes, encouraging members to opt outside and share experiences on Instagram
REI's #REImember campaign turns customers into community members who share their outdoor experiences, reinforcing the co-op's mission over retail profits. (rei.com)

Why it works

REI’s co-op model shows customers that the brand cares about them, which is something bigger companies can’t do. This gets people invested and involved in the brand.

The logic behind it

In a world where Amazon can sell the same tent cheaper, REI cannot compete on price. By positioning themselves as a Co-op, they move from competing on price to membership—from customer to stakeholder.

8. Simplicity-led positioning

What everyone else was doing

Consumer goods brands tend to compete mostly on logos and status. Clothes, homeware, stationery—you name it—it’s all branded and priced accordingly.

What they did instead

Muji doesn’t brand its products and their items don’t have unnecessary features. The brand’s name literally translates as “no-brand quality goods”. Everything at Muji is basic and they charge fair prices.

Muji homepage featuring minimalist design with neutral earth tones, clean typography, and product photography showcasing simple clothing and natural materials with "Naturally Cosy" headline
Muji's entire brand is built on simplicity and functional design. No logos, no excess. (muji.com.au)

Why it works

Muji’s plain look is a deliberate choice that reflects their beliefs. Their customers are buying into a mindset about quality and simplicity.

The logic behind it

Muji’s logic is built on Processing Fluency—by removing the noise of logos and excess, they reduce the cognitive load for the consumer, making the choice for simplicity feel like a relief.

9. Founder-led positioning

What everyone else was doing

Peanut butter in New Zealand was mass-produced and full of sugar. No one thought twice about it.

What Pic’s did instead

Pic Picot bought supermarket peanut butter, didn’t like it, rang to complain, and was told most people preferred it that way. He disagreed, so he bought a concrete mixer, half a tonne of peanuts, and started making his own in a Nelson garage with just roasted peanuts and salt.

Pic’s is now New Zealand’s number one peanut butter by value—with 41% market share as of 2025. It’s 50% more expensive than the brands it replaced and is exported to a dozen countries.

Pic's Peanut Butter website homepage featuring bold claim "Some say the best peanut butter in the world" in black text over large red star on cardboard texture background, showing confident founder-led brand positioning
“Some say the best peanut butter in the world.” Pic’s turned a garage project born from frustration into New Zealand’s number one. (picspeanutbutter.com)

Why it works

Pic’s started because its founder refused to settle for mediocre peanut butter. That rebellious, founder-led origin story became the brand, and it’s authentic because the product actually backs it up.

The logic behind it

Pic’s thrives on Founder-Led Authenticity. In a market filled with faceless corporations, the guy in a garage narrative provides a human anchor that makes the brand feel trustworthy and local.

10. Anti-category positioning

Duolingo

What everyone else was doing

Language learning was either expensive and serious, like Rosetta Stone, university courses and private tutors, or ineffective and forgettable. The category assumed that learning a language required a lot of commitment and investment.

What Duolingo did instead

They made language learning feel like a game instead of a course. It’s free, addictive and based on streaks and rewards.

Duolingo's gamified app interface as an example for their brand positioning.
Duolingo’s gamified app interface (source: Duolingo Press Kit)

Why it works

The hardest part of learning a language isn’t the skill—it’s staying committed. Duolingo makes lessons fun and easy to stick to, which helps people build a daily habit that lasts. Even the owl’s persistent reminders help keep people coming back.

The logic behind it

Anti-category positioning is most effective when you identify the category’s biggest weakness. For language learning, it’s not a lack of content; it’s a lack of habit.

11. Weakness-into-strength positioning

Guinness

What everyone else was doing

Lager dominated pub culture because it was quick and easy to pour and drink. Guinness, on the other hand, needed a two-part pour that took over two minutes to settle, which was a logistical problem in busy bars where speed mattered.

What they did instead

They refused to apologise for being slow. Instead, they made waiting part of the experience. “Good things come to those who wait” changed the two-minute pour from a problem into proof of craft. The delay became the differentiator.

Why it works

Turning pouring a Guinness into a ritual creates an experience. By the time your pint is ready, you’ve invested something, and it tastes better for it. And this positioning still works today.

The logic behind it

This is a classic example of the Pratfall Effect. By leaning into a flaw (the wait time), Guinness actually makes the brand feel more authentic and superior in quality.

Avis

What everyone else was doing

Back in 1962, Hertz was top of the car rental market and acted like it—showing off how big and reliable it was as a market leader. Avis was stuck in second place and had no obvious way to compete on those terms.

What they did instead

Avis didn’t claim to have any obvious advantages over Hertz, but they did something pretty bold: they admitted they were second. “We’re only No. 2. We try harder.” Slogans like “Avis can’t afford dirty ashtrays” turned their size into a service promise.
Vintage Avis advertisement with the slogan “We Try Harder”—a classic brand positioning example showing how Avis embraced being second to highlight superior customer service.
Avis turned its second-place status into a strength with the iconic “We Try Harder” campaign, focusing on exceptional service to win over customers.

Why it works

Being honest about your weaknesses is powerful. When every brand claims to be the best, the one that admits it isn’t, earns trust.

The logic behind it

By admitting they were #2 (the flaw), they signalled to the audience: “We have no reason to lie to you.” This vulnerability acts as a psychological trust anchor. Once the customer believes the of weakness, they are primed to believe the strength, too: “We try harder.”

12. Experience-led positioning

What everyone else was doing

Design tools used to be desktop software, which was expensive and complicated. Adobe had been the go-to for decades. Files were saved locally and shared by email. Designers worked alone and handed off static assets to developers slowly and painfully.

What Figma did instead

They made their design software browser-based and fun right from the start. You can have a team of people working on the same file, in real time and wherever they are. There’s no installation or version conflict. And it made handoffs to developers a lot easier.

Why it works

Figma changed how people think about design. Instead of working alone, designers can now work together in real time. Adobe’s $20 billion attempt to buy them shows just how much Figma has changed the game.

13. Personalisation-led positioning

What everyone else was doing

If you wanted furniture that fit your exact space, you had two choices: buy standard sizes off the shelf and make them work, or commission expensive custom pieces that took weeks to build. Affordable, well-designed, made-to-measure furniture didn’t really exist.

What they did instead

The Warsaw-founded brand’s configurator allows you to specify furniture dimensions, colour, finish and internal layout. An app allows you to view pieces in your space before ordering. Every unit is made to order from sustainably sourced Finnish birch.

Tylko bridges the gap between off-the-shelf and custom: configure your exact dimensions online, get well-designed furniture made to measure. No standard sizes, no joiner fees. (tylko.com)

Why it works

Tylko saw that the real issue with furniture isn’t cost or quality, but whether it actually fits your space. By prioritising a perfect fit, they offer something that neither IKEA nor a custom joiner can provide. And by building a fun, colourful brand personality around it they tapped into current pop culture.

The logic behind it

Personalisation here isn’t just a feature; it’s a direct solution to a major psychological hurdle. The biggest reason people hesitate to buy furniture is the fear that it won’t fit.

Key positioning principles from these examples

When we look at all 20 brand positioning examples, several patterns appear.

1. Clarity over consensus

The most successful brands have a clear and specific identity, even if that means not everyone will like them. Oatly, Liquid Death and Einhorn don’t try to please everyone. They pick a side and stick with it.

2. Credibility requires product truth

Brands such as Tony’s Chocolonely, Scrub Daddy and Figma are successful because they deliver on their promises. If your values aren’t backed up by quality, nobody will be interested.

3. Weakness can be a strength

Guinness’s slow pour, Avis’s “We Try Harder” campaign and IKEA’s self-assembly furniture are all examples of brands that took what could be seen as a weakness and turned it into a strength.

4. Category rules are negotiable

Heaps Normal ignored wellness trends, Muji skipped branding altogether and Veja opted out of advertising. The brands that succeed are often the ones that challenge what everyone else takes for granted.

5. Consistency compounds

These positions don’t pay off overnight. Veja’s decision not to advertise didn’t seem to matter much at first, but after five years of word-of-mouth growth, it became their biggest advantage.

Scrub Daddy was rejected by every retailer before Shark Tank. A smiley face sponge seemed gimmicky until people realised it actually made washing up easier. Building a strong position takes time and consistency.

Frequent questions about brand positioning

Brand positioning is how your brand is seen compared to your competitors. It’s not what you say that matters, it’s what people think when they hear your brand’s name. If you’re well-positioned, there’s a clear, compelling reason to choose you over the alternatives.

Brand positioning is about where you sit in the market compared to competitors. Your brand identity is how you express that position—your visual language, tone of voice, name, logo, and overall actions. 

Positioning comes first and informs everything else. Your identity is the visual and verbal system—the typography, the layout, and the messaging—that makes that position tangible. A brand with a beautiful identity but weak positioning looks great but gives people no reason to choose it.

Absolutely. Some of the most interesting brand turnarounds are repositioning stories.

  • Old Spice went from your grandfather’s aftershave to a cultural phenomenon.
  • Burberry moved away from its association with British football hooliganism and repositioned itself as a luxury brand. 

Repositioning is harder than starting from scratch because you’re working against existing perceptions—but it works. Commitment and consistency pay off over time.

They can, and positioning is often where small brands have the advantage. A large brand serving everyone can’t credibly serve anyone in particular. Small brands can use polarisation—where big brands are often too afraid of offending people to be truly distinct, a smaller brand can pick a side and win a loyal following.

  • Pic’s Peanut Butter started in a Nelson garage and displaced category giants.
  • Veja built a global sneaker brand with zero advertising budget.
  • Scrub Daddy went from Shark Tank to $670 million in sales.

Size is a resource advantage, not a positioning advantage—and positioning is what actually builds preference.

No, and some of the sharpest positioning strategies in this article cost almost nothing.

  • Dollar Shave Club launched with a $4,500 video and a clear point of view.
  • Pic’s Peanut Butter grew through word of mouth.

Budget amplifies positioning, but it can’t replace it. In fact, high-quality design and a sharp messaging system act as a multiplier, where they make a small budget look big one by creating a level of perceived authority and professionalism that most small businesses lack.

A distinct position compounds over time through every recommendation and interaction.

The clearest signal is word of mouth—people describing your brand to others in exactly the terms you intended, without being prompted. Other indicators:

  • You’re attracting the right clients
  • Your pricing is holding or increasing
  • You’re losing the customers you don’t want

You can also just ask a few of your best customers why they chose you. If their answers match your positioning, it’s working. If they’re vague, there’s more work to do.

You can define your position, but establishing it takes consistent execution over time.

Veja’s no-advertising stance became their main selling point, but only after five years.

Most brands see traction within 6-12 months of consistent positioning, but the real compound effect happens over years. The secret is consistency. Every brand touchpoint, message and product decision must reinforce the same core position.

Final thought

The brands here sell everyday items—water, peanut butter, toilet paper, razors, bikes. None of them win simply because of their products. What sets them apart is clarity. They know who they serve, what they stand for, and why it matters.

The good news is you don’t need a huge budget or a billion-dollar product to position yourself clearly. You just need to commit to your position and execute it consistently.

If you would like help to find your own clear position, take a look at my services to see if we would be a good fit.

Related reading:

Title image by Tylko

Picture of Who’s writing?
Who’s writing?

Nine Blaess is a brand strategist and designer based in Wellington, New Zealand, with over 12 years of experience in branding, interior design, industrial design and user research. She helps small businesses worldwide—specifically in Germany, Austria, South Tyrol and New Zealand—build distinctive identities and websites that attract their ideal clients.

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